欧洲的某🤑]个地方

Som😴🤩🤐e😉🤐🤣😃where i🤔n the#🤒 re🤑😚mote regio😘,n, the war😷😍 ends. In 🤐`the(🤗  midst o🤥;🙃f ruined cities and houses in the s😆%😐treets, .i😔🤐😬n rural ham😄🤑lets, ]😃🤕/🤢everywh😐😍ere🤤 where pe$🤪o🙂🤪p?+le st🤗)\😬🙂ill l😐iv😐🤕😋e, are chil😜😂😔dren who have lost th😉😴🙄 🤫ei 🤕r 😚,homes a(😶😉nd parents. Abandoned, hungr😔😌🙂y,😌_ ` 😪a😇😗🤫n🥰🤐*d in =ra;😍gs, defense🤢
+less and hu😌miliate$d, 😙they wand]😜#er t 😝hrough th😷e wor😇😂😬ld. Hunger drives /,🤮t😋hem. Little stream🤥😍🥰😷s of or+
phans mer$^ge int,😷o a r😑😌😙*iver w😍😪,🙃hich r)=u😉🤒she😅😴s forward😙/🤨 and submerges e(🤮😙😅v$eryt🤩=😃🙃hing% in its pat🤨h. The ch🤕😃😉il*😃🤭dre😄😔n do not k😂/😬n😇🤑^ow any feeling; they know onl😝[y🤣😋 🤩🤗the w😴😒orld of t😁heir+*🤩, e;(🤕nemies😗. Th🤔😪
]ey fight, stea!🤕l, struggle for-😆#😅 .😃a _😅🤣m😚)🤔outhful 😒o$.$f f* ood, 😏😙😗\an😬😷d vio🤐`😴😌lence i🤪😉s merely a mean🤔s to get it. A😉_! ga😌ng led b🤫-.🤗y *😑\🤤😷Cahoun find;`s a ?
😂refug$😜🤮😛:e i😊:😷n an aban🤕🤣😗doned cast!#😜/le😇 and encounters a$🤮:n o!🤢@ld composer wh🤭_🤩o@+😘 has 😗volu_%ntarily r🤥😜\😴et(🤕😴ired into so[lit$🤗%🤪\ude f🤕r😄)+😆om a wo😃🤕🤪🤨rld of hat😄^red, t😪#rea%?# s😆😜o😌😶n, and 🤫cri]😍me. How can they find a🙃😉 commo=`n grou😔nd, how ca😁-🤭😂n they🤗 become mu -tual]🤤🤔🥰 frie🤤🤨nds The castle(🤣 become😃😔s their😂😑😁 hid).in😍🤪😅g pla_/😆+ce b🤕 🤗=u😶t possi😂🤗🤑bly i^😶 t w!🤭;ill😷🙃] a🥰+l\/so be t🤕😝heir first hom😅🤑,e w😔hich they may organiz@😁e a😚😛)🤭nd.😐😜 must defend😴^.@!😊🙂😑 But even😝 for @t🤮😘+,🙃hi😏🤮😊😶s, th🤪😚
e price🤔🤪🙃🙄 will]😆 be 🤕@😌very high.　　To this simpl😌😀]/e story, the jo?😬[urnalist, w\😑ri😁ter,#!😀 poet, scriptw🤣riter,🤒😘🤢🙃 m🙂.😶ov,🤮🤮ie(😆 dire😘🙂ctor, and film t`😗😉😚he🤣😍🤥😋or
🤮eti🤒 cian Béla Balázs applied many years of ex😂_perience😘😄😒. He and t^he🤑^ direc😙[tor Géza Rad
🤥😶vá-nyi cr😂😗eated a wor% [k %🤥which opened a new postwar chapter i# 😇n Hungaria😛n😜 🤮😒😷🤫film. (🤫Su🤥!rprising🙃l]😌😍🤪y, 😔th😙😃🙃_i s film h\)🥰as not lost any o😑/😗f its i😆🤔😋mpact 😘😉over😜@
🤑 the 😂🤕ye🙃😪🤭ars
, espec🙄🤫
^i🙄😒[ally on a prof🤭😉😄🤔😷ound philoso@ph`🥰=ical l😙.evel😷😬. That is to sa🤕😪y, it 🤢 is not 😜😅 🤕merely a movie about 🙃
😬w😌🤔%`😘ar; it i😘🙃🤥😒s not im🙃😛portant i😏n :🙄what location😔% and` _ in😙🤭 what \😂🤥😶*perio ^😄😙d 🤭🤭😬of ti🤩😝me it t😔😂🤪😊akes🤥😪 p🤕🤨^lace. I😅😒😊*t is a story outside🤨+(🥰 😀😪of time a\😃bout🤕😀 😝^t*😆he joyles😗:😬s fate of#😄 c😊 🤑hildren who 😀!pay (😔🤥 dearly for the c😙😝😃🙂ruel war)😝😘 😪🤪g😅😍😷🤔a😆%🙂😊mes of adults😘😑.　　;😐At the time i[ t🙂🤒 was 😚😔premiere😷😶d,🤨😀\🤒 the movie was enth😁usiasticall y received by_😉🙄😴🤑 the cri[`ti😉😗cs. T ?😂h😔😙e mai😀😌😁n 😍+rol🤤😙es wer;e ta)?ken by st😀😏🤣reetwise boys o,🙃🙄 f a ch😑🤥i`😆\🤒🤩ld^😶😁:ren's group 😇😀who 😌created the^ir r🤒🤢🤣^🤑oles 😑😜improvisation 🤩(;al_🤩🤑]ly🤢
in close contact 🤒🤮🤐with a few pr\of^🤩🙂+ essional a*c😅(tors, and in the children-'s act🤥🤑😌i😇^😔🤐!ng🤫🤐 th( 🤑eir own fresh experien😷$(c😴😶e of😏😗😬🤮 😐🙃war's turmoil ap😊😪p(😃ears🤭?] t🤐😆😃o be reflected🤕`. At 🤒?😄the 😴😇🥰 sa$😋😒me🤕🙃;🤨 time, 😏
their😪😶😗 perf// =ormance fits a😑*😒🙂dmirabl😋😴🙄y int🤮o t 😇he mosai🤨🤒c 😏😄of a very
complex movi@:e.- lan😘gu😚🤕age. 😃😝Balázs's influence_😇 r😊😅😏😏e😋#🤨vealed itself, a=🤩b😝:ove all, i😏😔😊n t😷😗he 🤑introduc🤗😗😷😊tory😔;`/🤮 sequences an air raid on an 😪😂 amu?🤤😷sement park, seen i]😚🤤
😉n a m😋🤔😘😄ontage o(f d 😬🤐ramatic s😷ituation)🙃😐,s evoking th)/e last s😗🤭pasm:_ 😇🤣s of 😷🤣\🙄war, where, und😍😙🤫oub-😇😍tedly,😊$😑 we discern the 😊😐?🤣influen😑%🤩🥰ce \😷 of classical Soviet cinemato😗+😊graphy. Shooti😗^ng, th😔😁e b😌🤫^😇🤕oy's esc😏ape, the🥰😚 locom]😍🤪😷otiv🤗$-🙃e's wheels, the shado😁😃🤭-ws of soldiers with😉😅🙃 subma🙄chine gu:^ns😄😁🤪, t😃he sound of a whistle—the images are l🙂🤩[i-🤭😆,nked😍(#🙂 together in😘😒 abrupt🤒 sequenc😇😃🤤es in which 🤢😍😬:varyin🤮😔g 😬$s😋🙂😂hot😆s an🤫d🤩\ expres🤑🤕🤭😶s😂ive s🤨🙄harp sounds are😝😐🤑😉 empha😃 :@sized😷]. A perf 🥰ectly planned.😙 scree`=np😀😃$🤮lay avoided !/😘[all 😆: elements of senti😶🤨🤭😑mentalit😙;😶y, 😬*😄time-worn st🤗,e+😒reotypes🤑 of🤔:😏😪 wrong😛:ed 😐🙂 c😪😆hildren*😶, romantic*(:😔ism an🤤😜😁d ch😝😂!eap😘+🙄 simpli😗fi😬cation`😛. The auth_🤥ors succeeded i🤔😀🤫n😏🤨 🤩-!🤗bridgi🙃😂🙃^ng 😛the p😆\erilous 🤒dra😏mat😆 🤪🤫ic ab🙂🤐yss of the -🤕met😗😂.a(🙄morphos😜is of😉😌🤒😘 a 😀😛:child😅ren's😑😑🤒 comm.unity. The😐🤣%ir telling of the +story (the*😪🤮 scen_$+🤤e😇 o😛😑f🙂*😋 pil🤣l?😝agin😙 😪[g,😉🙄 the 😅🤣^-😐assau*😌lt o)(😐n the castle, etc) indep😗🤣e😅🤑:😜ndently intr🤣😁😋😛oduced some neorealist e😘😁lements whi!ch😃😌🤤, at_$🤩 =😅😪that*🤮😌 time, were b😶😷🤭😇ei😚ng propagated in Italy -😂b`😐😇🤕y D🤣*e😊😑 Sica,🤢:😃😪 🙄 ;😇Ros;😀sellini,🤐😗😆😉🤩 and ot@😑her🤒/😑 😔😆🥰😅film artist😴🤔🤐s. The rebukes o`#+f cont😚🤒emporary cr🙂-😄i🤣`😍😀tics, who [call/🤫ed attent😏@ion to 😗,😒🤔f😉_😁🤥or😝🤭[mal😚😑🤐ism f😍😂 or =:i🤭+(ts o@wn sak😅😙🤕
e hav🙄😐%e b😘een for😉😪😜gott😶🤗en🤫😐. The master🤐🤢😛😆ly art of ca🙃🤗meraman Barnab🤕?ás He)😅🤣gyi gives vitality to the p😌!o😔et😑^🤫ic i mages. His)_-😛 a🤪😴ngle shots of the children, h😇😑+!is compositio😅n of🤥🤨- sc,🤔😶?ene😃,s in t$he😑 cas😃😃😑,tle interior🤫😙🤮😗, 😉😃%are a li😚🤪😊vin[😀g docu
😉ment of t=$😗)😍he t_#imes😒😒😅%😏,😊 a_\nd un😙😚derline the atmo^)sph😪,🤐ere 😙😇😝and t,#🙃)h😛e ch$😶a😀🤪r😅🤣🥰acter😗🤗s] (of the protagonists. The succe😋🤨🤪😗ss😁😘 of the pic%😷ture was🙄 als😷😁o enhanced 😁🤥😇 🥰by 😆!the;.🙂: 😴😜/ musical art of 😜😴compo/$😶se😊🤒😴😏]r Dénes Buday who, in:😍🤨😍 t😄😌😂=ense situations😐😗, inserted the %😷the😂#🤭me of the 😁😅😌🤔.Marseilaise into😒😇😶 the mov😶🤪🤕ie's str🙄😊ucture, 😗_a🤥,:🤫s a 🤫?_motive of co🤑mm😇😙🤤^u)!😊nity unificatio😛😇🤥n,🤐 as/🤩+* an exp)re😄ss 😉ion of friend:😒😂shi[p 😚😒😐#a🤤🥰😊😜nd🤑[🤥🤩 the po/-ss)🤢i🙂#bili^😊😶t😄
:!y of]🤭 😂😛*un:😁🙂😐😁derstanding.　　Valahol Europaban is the[- 😷😙\fir🤤🤫$st s(😐$🤩😛ignificant ]*pos twar Hung%\ar🤐ian fi:/lm😜🤔🤔.🤭🤨%😊 I😆*🤐$t =😶😚🤕originated😝😏🤔#/ in a]😄😂🙂😏 relaxed atm🥰😁🤪osph🤐🤤🙂🤭ere, reple😙😔🤕te with joy and e😆😜🤪uphor😐😴ia,😇* and i😏🤗?t includes these  😃element😜😑s in orde#😗🤔r to dem🤑\onst$\😬?rat😗😬e 😒😬the strength of hu@🙃manism,🤕.^😋 t😊🤕🤢😝_olerance, and frien$$@dship. 😛🤨*It🤪🤨 represents .🤤.😌😙a 😗😬@general co🤤😇n*🤤+demna🤒😔😝🤕😜tio😏😒n of#] war anywhe 😍_😆😪re in the world, 😔:`in any😬😊🤕😛 f😬🙂😃o_🤮😉rm.