恩培多😆🙂/克勒之死

The `😆-😘subject of Da😘🤤n🙃/😐,ièle-😑 😗!Hu\🤐illet😑 😗 and Je😚 an-Ma😛🤨^😊🙃rie St🙃🤒*(rau.😋b’s Der😑😑😚 Tod des Empe.\d🤭 @o😘😍],kles ^.😜(T🤩🤥😐he Dea😌\😛,th of Empedo?😔cles, 1987) is th:/🤭🤗e 🙃-🤨Greek p`😅😃😊r😚e(🤔-😗$S😄[😚:o]🤥/🤥c]😚😴🤑ratic 🤮😏p🤭😂🤤_h🤗il🤮o😛🤨sopher Empedocles (c. 490 BC – 4`@🤔/30 BC
😌😴), who liv😆🥰🤮ed in the Greek col😆🤢🤪o😀😇😛ny of Agrigentu😃m in Sicily. His theor🙂ies 🤗🤑are menti🤪 🤐.oned in 😐🤔s😗^😙🤩😚e😂😔#veral😃🙄/😇 of.)😅 Plat$🤨^o’s dialogues. He mai🤪;ntained 🤪)th^at/[ 😬😅all mat😂ter is😉 made up of four ir🤭 (_🙂re😍ducible elem🤐😒😅ents😬/🤮[ water, earth,🤥😝😪 air and fire. 🤑A m😪ystic and a p 😁[🤨🙄oet, he i 😂s considered to be the found`🙃er 😒of cla(😀![ssica🤗😂😝l rhe?🙂toric. He is a🤔😝lso  though,🤔)?$t to be th🤪😀e l🤩🤭😪as:🤔😌t G😪#😃reek phi😂los😅😏?opher 🤐to write in verse; t🤐😷 wo fr/😚😒ag😃🤭ments o🤐🤥🤐f hi🙃 🤨🤐s w😍😂$🙄orks surviv$+🤪e;🙂 Katharmoi🤕🤥_ (🤑🤤%P+u😪]😗rifications😝🤤🤗🤗) and Per[😌🤔i Phuseôs (On N🙄_😇ature).!😅😁 An?😏🤩 advo😛ca🤪🙄😋te😒🙄 #; of 😏🤕+d?#🤒🤢😏emocra😷🤮_%cy, he ca😀$😊me into confli#🤣ct wi🙄-th hi😌s fel😅#😄l😌😘🥰ow c`😶itiz
🤕;😆ens of Ag🤣 rigentum and, as resu🤨😋🤥lt, was b.anish🤢🤗😪ed with ,😅 🙄😬h😑
is young dis🤫ciple, 🤒😐%Pa*:usani😋$us. When he was🤭\🤩 ask
,😏 ed to r_@e=😙😶😜tu🤑?rn, h/e preferr🤤\ed
😶_ to 😄🤥commi*😄t 🤗suicide 😶by😌😉 th😶😝^😌rowing himself into t]+h(e act;😌ive ,😴🤤volcano at M😑😐🤢ount Ae*🙂😬tna.　　Th(🙄_e G🥰😔erman wr`?😙😘iter Friedric😪🤫😍h😂 Hölder%@😝l)🤫🙄in 😙😴🤤w`🥰ro🤢_t@🤔e two versions😍😋/😔 of 🤕🤔Der To😀 d de😚😬(s (😘🤑🤔E🤕🤪_mpedokle😊🤒🤮😪s (🤔in 🤣😆😴😏179🙄🥰8😐 and 180😆😇0🤕-, and a final thi,]😁🤭rd ve
rsion in 1820, all 😑)three🤔!%😋 !🤐😊#u(😷
😶ltimately^🤑 u😙n🤢🤕fini🤕🤢`shed. They w!😅😌ere conceived as😁🤗-(😘 🤒@😊five-act trag% ;*edies and all+ thr😀🤣.#😏ee diff er _😆*🤢in!😌😔🤐 plot. A😍ccording ;🤐🤐to Michae😂l+* Hambu
🤮+rg🤪😁er, Hölderlin’s Englis.=h-langu🥰😴:age t,🤔😙[ranslator,　　the main reason😒😁` why😗 Hölderli🤑😌🤥n finished no v😂🤣er😪,sion% of t)😊h,😴e pla@😆😜🥰y.: must🤐😒🤨 b🤫😙e 🤤!.that h 😷😊
e 🤨^😑🤗remained too clos)#😐el\🤔y😒_ identi😂😬fi🤭🤭ed with E😙mpedocles=+😂😊, at th
🤩+e very pe/🤩🤣ri`o🤩😅🤥.d in his life when his ow🤥]😁n v@iew of the po;😆et as phil😔-😴😌osopher,😪/?^ p😂😃:🤥😪rop😀[🤢,het and priest – and as tragic🙃😜 hero – was[😷🤕
subject to 🤪😐pe\😬rp😁?:e😚@tual crisis an😊]🙃😀d re-exa🙃$*🤫minati🤒on.　　Hui=😆😄llet-Stra😚[🤤ub’s The Death of Empedoc🤫😑😘🙃le😏.🤗🙃s is based on Hölderlin’s 😚`🙄🙂 first vers😬?🤮ion😐😛 (th😋🤒e 😚😋😬😬l`🤥😛on🙃😊gest of the🤥😇 three), whereas Black Sin 😘😏#😚is based o 🙄n t😆=- he th;😛(😑😏ird versi🙂!on.