嗨๏ผ妈 ๐๐คซ妈๏ผ
ๅฏผๆผ:布莱恩ยท德ยท帕尔玛
ไธปๆผ:罗伯特ยท德尼罗,查尔斯ยท德恩,詹妮弗ยท绍特
ๅนดไปฝ:1970
ๅฐๅบ:美国

ๅ ๅฎน็ฎไป
In thi๐s ๐,ver\/๐y late 60's ir๐ฌreverent,/ $๐๐almos-)๐คซt anarchic l๐๐๐;ow-budge๐๐t film, Bria)@n De Palma #๐คdefines]๐๐ฌ more of his-; st๐คญ๐คra๐๐๐ด๐คฃnge, giv๐คฅ๐en๐คข๐? Hi๐ค๐๐๐๐คฎtchcoc๐คซ๐k-like fasc# ination of voye ๐ค๐
urism๐,, and att*๐ack๐คจ๐คฅ๐คฅs the issues of ๐คค๐?/the day๐คฉ ๐. ๐คขThe most prominen ๐คญt of%๐ด๐ w)๐๐hich,๐คญ๐๐คค๐ฌ[ bo๐@;;th c๐ค๐คข๐ทri!)๐n๐๐ge-๐คซ%๐คindu!cin๐ด๐g๐ฌ๐ถ ๐ค? \๐คฎa๐ฅฐ๐๐nd ๐คช๐j๐๐๐u๐คข?st pl ๐ค.%๐คชain f๐๐u\๐ถ๐คnny, i๐๐s when ๐#.๐๐h๐๐e foc๐ฌ๐๐คฉuses on the ๐คbla^`ck-power m๐ @ov๐=,e๐๐(๐คฎment (a black wo๐man han๐/ding out ๐คfliers as๐king w+`hite ๐^๐คฅpeo;ple 'do you ^๐คจknow wha๐ค]$t it's lik๐คจ๐คคe to ๐ค๐ค๐ค๐be b๐@๐la๐คข๐คญ๐/ck' ),( wh ๐ic๐คฉh is s/๐omet!๐ฅฐhing ๐๐คฉ๐๐คคthat๐ค;๐ค` cou๐คญ๐๐ld only๐ถ$ work for t๐ค๐ ๐
hat ti๐me and pl ๐ ace, ๐๐
not bef๐คore or now.ใใBut o๐?/ne o^๐f the ke๐คช๐คฉ=y thi)๐ฌ๐ngs to the interes๐๐t๐- in ๐คจ๐,the film is๐๐๐*๐คฃ 2๐๐คจ7 year old;+๐ Rober๐๐ด๐t De ๐ค๐คฉ๐คช๐Niro `(not hi/๐s f ๐๐คช๐คซirst ๐ค-๐๐.or last๐ค๐๐ film with\ the directo^r๐๐ค),๐คจ๐ - ]+๐;who pl๐คฃ๐๐ays this chara^%cter who s๐คญ๐๐`i๐ ๐ท๐คฉts in a room looking out๐คช,๐ช๐๐ช ?through his tele๐;scope at. wo`๐
[men in`[ the๐ค๐ir rooms_ ๐(, setti๐คng up=) phony;๐ค deals๐๐ถ๐ท,๐คจ,๐ and in the e๐๐คฎ.๐คข๐n๐คฃ๐d๐๐๐ค@ b๐คซ๐คจasica,๐คขl%๐คฃly throwing bombs. Thos๐#๐๐e๐ who๐๐ have said th ๐^๐a๐/๐๐t De๐ค๐ถ๐ Niro can'๐t๐คฅ) act๐ and j๐ค๐ฌ๐ค[๐ust is himself in #[๐๐;ev]ery movi)e sh๐๐คฉ!๐ฌould see this movie, i๐.f only๐๐๐คฃ`๐ฌ out of so๐%๐ท๐๐me minor curi$`osity. A๐ช๐ cou๐ท๐ถple ๐๐คข!๐คคo (๐f times in ๐ the fi๐ถ_:lm it๐คค๐'s actually not funny, as \*wh=๐คฅ(en$๐ ๐ค ๐๐๐there'๐๐,s ๐๐a disturbance in $!(a[ ๐)black-power m๐คฎ!eeting (f_ilmed in a gra๐ine@๐๐*r, roug$๐her st๐=[yl๐ค๐คค*e๐คฉ. than* the rest of the fil๐ถm).ใใIn the en๐ d it's capped off wi๐๐ฅฐ*\th a rambling mo/๐คจ๐๐คฃnologue in ๐๐ฌ๐๐คa!(, n interv๐#iew that tops De Niro's in King of๐๐๐ถ C\๐คฎ๐คซ๐คom+(edy.๐๐๐๐ It;๐ค๐๐ช's๐คฉ๐ pre๐tty%,?๐คช๐ obvious๐คซ wh,ere De ;๐๐ด.๐Palma's ๐๐ค๐ถ๐ca๐๐[๐ถreer would go after this,+?`๐ in๐ถ๐คจ!to slightly more๐๐๐ m๐๐a๐๐ค๐๐คญ\instream Holl๐ฅฐy wood terri๐๐คค๐คญ ๐tory, but all of his๐ท t๐คช ๐คฃrademark๐คจ๐๐s ๐ฅฐ+๐are h๐คข๐ere; the dar๐ค%k, al#๐ค(๐คm+๐คข๐คฃ*o๐๐st nail-biting ๐คญc๐คฎ๐ค($o๐คmed๐_๐ทy, th:?๐คคe pe๐ค;$๐ช๐คrfectl #๐y๐คซ๐๐ timed st๐ช๐
๐ฌyl๐ถ๐คญ๐ e o@๐๐f voyeurism, and๐%๐๐$ ๐๐inte๐ฌ]๐ฌ[resting us๐ช๐๐คญ๐ag๐คคe of l๐ฌ๐*+ocals. ๐ด๐T ๐
๐๐คhi(๐คnk๐ if๐๐ค De Palma and De N๐คช๐ฅฐ๐i๐%๐คฃro d๐๐ด@๐id a Monty P๐๐คฅ๐`y๐ฌ๐tho๐๐๐ค๐n film๐คค, o ๐ค๐nly even more low-budget an^๐คญ๐ค๐d in its New York way just as of๐คซ๐#๐คช๐คจf-the-hin;(๐
๐ฅฐges, and you got Hi, Mom! It also ๐*contains an eccentric and๐๐๐ fun*๐=ny soundtrack.ใใimdb comment